Fallen Heros: The blurred grey line between them and the Anti-hero

Well, now that we have a good discussion in regards to the hero/anti-hero archetype, I’m curious to see if we can take this topic a bit further, and slightly darker, so to speak. Since we can agree on anti-hero types as complex characters, how would be describe a character that possessed true heroic ideals, but due to some sort of tragedy (which could be anything) slowly and inevitably become the full antagonist he/she once strived so hard to fight against. In short I present the Fallen hero.

Anti-heroes, the Good? the Bad? or something in between?

We all know in the majority of all storytelling, there are protagonists (whom are typically the archetypal heroes and focal characters of the story), and the antagonists (whom are usually the ‘villains’ or main opposition to the protagonists). Both are prevalent and are usually included in most story genres, including movies. At time however, those typical archetypal roles, can be blurred and not as clear as to whom the ‘hero’ or ‘villain’ is. This is epically true with more complex storylines and the likeness of the characters within genres of storytelling, movies, being no exception. Some do not carry the typical morals of the atypical hero. Some are deeply flawed in personality or by interaction. Some do not always take the moral high road, yet might pick certain heroic traits here and there (though not all of them). As you’re probably aware by now, this it what we refer to as Anti-heroes.

Alternate Reality, Why do we seek it? Where? and to what end?

 

When one hears the term, “alternate reality”, one might think of a different world, or a subconscious level of living like a dream state. Others may think of a completely different state of existence from their current one, while those that are more technically inclined, may think of alternate or fractured timeline changes due to a different choice or interference (directly or indirectly) in the space time continuum (some of you trekkers out there love that last one I’m sure). What’s interesting is that of late in Hollywood, many movies have taken on the form of storytelling by adding on to various degrees of an alternate reality (A.R for short) in its content.

The Distinguished Gentleman

I am an Eddie Murphy fan. Pound for pound, he may be the best "actor" in Hollywood. In any given movie, he can make you believe he's a cheesy lounge singer, or Jewish, or Asian, or a geek, or a professor, or the professor's mother, or father, or grandmother, or a robot...I'm not speaking to the scripts he accepts, but insofar as playing a role, he's covered plenty of ground from cop to crook.

Most people who remember his 80s material will long for those more earthy roles against the kiddie movie fluff he's been doing of late (although, as Disney can tell you, there's money in kiddie fluff). However, it isn't to say all his earlier films are nothing but "filth, flarn, flarn, filth" - an all too easily forgotten gem is The Distinguished Gentleman.

The Avatar Review: Part 5 "The Final Wrap-up"

Once again, my apologies for the delay of this last part review of this film. I’ve been busy with class preparation and projects at work and abroad.

The Avatar Review: Part 4 "Race Relations vs. Culture Chaos"

Would one think that nowadays a Hollywood /big budget blockbuster movies should be generalized or at least include typical or common clichéd themes? Even when these same themes become so stereotypical, their borderline brain-draining, to downright insulting?

The reason I open with that question, is to see if the more successful films (in budget and not necessarily in content) follow the typical story-plot genres, particularly in comparison to the film Avatar, its characters, and social themes both obvious and under-toned. Now we have briefly touched on this in my Iconic Impact and Militaristic Message posts, so thought I would bring this up into further detail.

You're judging this [expletive] the wrong way: Pulp Fiction & miracles

"Coincidence is when God chooses to remain anonymous."

I used the term "judging" in the title of this 3rd installment exploring  Pulp Fiction's treatment of redemption, but I'm not using it as it has been used in previous posts on the theme of judgment. 

For you fans of Koine Greek, there's a nuanced difference (pun intended) between krino and diakrino (and katakrino, and anakrino, etc.). In this post, we're talking about the issue of discernment - differentiating one thing from another; what we're differentiating are coincidence and providence.