Flashpoint, Toronto and the character of Setting

 
Flashpoint is a hit show both here in Canada as well as in the USA, and its Toronto setting is a part of its success. But, what took so long for Toronto to be front and centre?

Setting is an important part of story-telling. Setting is often actually a form of character, and certain stories can only be told in certain settings, because the character of setting impacts the story.

For some strange reason, Toronto had yet to be embraced as a setting in which a compelling story could be told...but I've never understood why. Thanks to Flashpoint, however, those days could finally be over.

The Soloist and the dignity of non-judgment

 

The Soloist, based on a true story, shines a heart-warming ray of light into squalor, blight and hopelessness.

The backdrop is Los Angeles, which ultimately serves as a metaphor for the human condition, and it's depressing. 

Throughout the film we are shown alternating images and vistas of beauty and ugliness, order and chaos, light and darkness: in one scene, the camera pans upwards from the literal underbelly of streets where the homeless Mr. Nathaniel Anthony Ayers (played by Jamie Foxx) lives to the bright shiny streets of downtown Los Angeles where Times writer Steve Lopez (played by Robert Downey, Jr.) works. There are plenty of more visually disturbing scenes to offset the bright, sunny beautiful scenes worth seeing almost for their own sake. But the screenplay is not the driving force of this movie. The driving force of this movie is, absolutely, the story - no car chase, no explosions, no '"big reveal" twist ending...just a heartwarming story.